Jimi Hendrix - Am I Blue (2 CD)

Jimi Hendrix - Am I Blue (2 CD)
FLAC (tracks+covers) | No Log, No Cue | ~730 Mb | RS, DF
Released: 2004 | Label: Purple Haze Records (HAZE004) | Genre: Blues | Thanks: dcfly

“

Am I Blue is another studio outtakes release, mostly focusing on bluesier pieces. Highlights include more complete versions of the previously released Country Blues and Three Little Bears, an earlier take of Voodoo Chile (from the Electric Ladyland sessions), and the epic twenty-seven minute Villanova Junction Blues studio jam.

”

CD1 Track List:

1. Lord I Sing The Blues For You And Me [10:38]
2. Country Blues [10:47]
3. Villanova Junction Blues [27:36]
4. Stray Blues [9:19]

CD 2 Track List:

1. Voodoo Chile [8:50]
2. Three Little Bears / South Saturn Delta [12:33]
3. Once I Had A Woman [8:17]
4. Cherokee Mist / In From the Storm / Valleys of Neptune [10:56]
5. Hear My Train A Comin' [12:06]

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CD 1

FLAC1
FLAC2
FLAC3
FLAC4
FLAC5

CD 2

FLAC1
FLAC2
FLAC3
FLAC4

Covers

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Disc 1
Disc 2

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Ron Carter - Jazz, My Romance (1994)

Ron Carter - Jazz, My Romance (1994)
JAZZ | APE+CUE+IMAGE+LOG+COVERS | 152 Mb

Track List:

1. BLUES FOR D.P. (R.Carter) 10:01
2. MY ROMANCE (R.Rodgers) 7:18
3. AIRGIN (S.Rollins) 6:39
4. QUIET TIMES (R.Carter) 4:56
5. SUMMERTIME (Gershwin-Heyward) 8:22
6. I FALL IN LOVE TOO EASILY (Cahn-Styne) 6:21
7. FOR TODDLERS ONLY (R.Carter) 4:37
8. SWEET LORRAINE (Paris-Burwell)

Artist List:

RON CARTER- bass
HERB ELLIS- guitar
KENNY BARRON- piano

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Sonny Rollins: Saxophone Colossus (JVC XCRD Supermaster - rare!)

Sonny Rollins: Saxophone Colossus (JVC XCRD)
Jazz | 1956/2002 (JVC) | Ape | EAC Log + Cue | HQ Full Scans | 182mb

Without a doubt, one of the five best jazz albums ever made is this 1956 masterpiece. Recorded in a single day at Rudy Van Gelder's living room/studio, Sonny Rollins earned his place as a legend with "Saxophone Colossus". Aided and abetted by powerhouse drummer Max Roach, pianist Tommy Flanagan, and bassist Doug Watkins, the quartet plays with the precision of a chamber orchestra, and swings just as hard. It's not very often that you hear an album where the musicians are so in tune with each other. From the breezy sway of "St. Thomas" to the final notes of "Blue 7", Rollins and company shows how it should be done. JVC has also added a bonus track. The XRCD remastered edition finally sounds as great (or better) than the original vinyl pressing. No serious jazz fan should be without a copy of this amazing album in their collection.

EAC extraction logfile from 11. May 2009, 16:59 for CD
Sonny Rollins / Saxophone Colossus (XRCD)

Used drive : PLEXTOR DVDR PX-760A Adapter: 0 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 30
Overread into Lead-In and Lead-Out : No

Used output format : Monkey's Audio Lossless Encoder v3.99 DLL
Best Lossless Compression

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface


Range status and errors
Selected range
Filename D:\Rollins\Sonny Rollins - Saxophone Colossus (XRCD).ape

Peak level 100.0 %
Track quality 100.0 %
CRC 8F6C4EF9
Copy OK

No errors occured

End of status report

Artists:
Sonny Rollins, Sax (Tenor)
Max Roach, Drums
Tommy Flanagan, Piano
Doug Watkins, Bass

Rudy Van Gelder Original Recording Engineer
Shigeo Miyamoto Engineer, Mastering
Kazue Sugimoto Supervisor
Akira Taguchi Mastering Supervisor
Alan Yoshida XRCD Remastering

Tracks:
1. St. Thomas
2. You Don't Know What Love Is
3. Strode Rode
4. Moritat
5. Blue 7

XRCD CD (September, 2002)
Original Release Date: March 22, 1956

 

Links:

http://rapidshare.com/users/GKVA8K

 

 

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Branford Marsalis Quartet - Crazy People Music (1990)

Branford Marsalis Quartet - Crazy People Music (1990)
Jazz | Columbia-1990 | 200-212 kbps mp3 | Time:01:04:38 min. | 95 Mb.

Review by Scott Yanow:
Branford Marsalis (on tenor and soprano) performs four of his originals, Bob Hurst's "The Dark Knight," Keith Jarrett's obscure "Rose Petals" and "The Ballad of Chet Kincaid" (co-written by Bill Cosby and Quincy Jones) on this outing with his 1990 quartet. It's an impressive group that also includes pianist Kenny Kirkland, bassist Hurst and drummer Jeff "Tain" Watts. "Ballad" would catch on to a general audience, but on the others Marsalis is heard throughout in prime form, sounding more original and pushing himself. AMG

Branford Marsalis - Saxophones
Kenny Kirkland - Piano
Jeff "Tain" Watts - Drums
Robert Hurst- Bass

Dr. George Butler Executive Producer
Leonard Feather Liner Notes
Tim Geelan Engineer
Sandy Palmer Grassi Assistant Engineer
Bernie Grundman Mastering
Mark Hanauer Photography
Robert Hurst Bass
Jammin' Jatty Q. Mixing
Kenny Kirkland Piano
Arnie Levin Art Direction
Delfeayo Marsalis Producer
Reese
Patrick Smith Engineer
Meean-Cheem Ustoo Editing

Tracks:
1. Spartacus
2. The Dark Knight
3. Wolverine
4. Mr. Steepee
5. Rose Petals
6. Random Abstract (Diddle It)
7. The Ballad Of Chet Kincaid

Crazy People Music

Password:LazyLevo

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Branford Marsalis - Scenes In The City (1983)

Branford Marsalis - Scenes In The City (1983)
Jazz | Columbia-1983 | 320 kbps Mp3 | Time:41:02 min. | 94 Mb.

Review by Scott Yanow:
Branford Marsalis's debut as a leader is ambitious yet consistently successful. On "Scenes of the City," his narrative is in the same spirit of some of Charles Mingus's recordings of the 1950s. Otherwise the music is in the modern mainstream vein with Marsalis (on tenor and soprano) hinting strongly at Wayne Shorter and John Coltrane, along with a touch of Sonny Rollins. The backup crew includes such notable young lions as pianist Mulgrew Miller and Kenny Kirkland, bassist Charnett Moffett, and drummers Jeff "Tain" Watts and Marvin "Smitty" Smith in addition to bassist Ron Carter. It's an impressive start to a notable career. AMG

Credits:
Phil Bowler Bass, Drums
Dr. George Butler Producer, Executive Producer
Ron Carter Bass
Henrietta Condak Cover Design
Ray Drummond Bass
Robin Eubanks Trombone
Tim Geelan Engineer
Kenny Kirkland Piano
John Longo Trumpet
Branford Marsalis Sax (Soprano), Sax (Tenor), Vocals
Duane Michaels Photography
Mulgrew Miller Piano
Charnett Moffett Bass
Wendell Pierce Marimba, Narrator
Marvin "Smitty" Smith Drums
A.B. Spellman Liner Notes
Jeff "Tain" Watts Drums, Vocals
Eddie Williams Vocals, Announcer

Tracks:
1 No Backstage Pass (B. Marsalis)
2 Scenes In The City (C. Mingus)
3 Solstice (B. Marsalis)
4 Waiting For Tain (B. Marsalis)
5 No Sidestepping (M. Miller)
6 Parable (K. Kirkland)

Recorded April 18,19 and Nov. 28,29, 1983 at RCA Studio A, New York

Scenes In The City

Password:LazyLevo

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Otis Taylor - Blue-Eyed Monster (1996)

Otis Taylor - Blue-Eyed Monster (1996)
mp3 VBR~184kpbs | 61MB | 47:19 min.
Contemporary Blues, Electric Country Blues, Modern Acoustic Blues

“

b. 1948, Chicago, Illinois, USA. Denver, Colorado-based blues guitarist and singer-songwriter Taylor has led a chequered musical career, punctuated for long periods by his successful work as an antiques broker. He was born in Chicago but relocated to Denver following the murder of his uncle by a robber. Taylor first developed an interest in folk and blues music as a teenager, learning to play guitar, banjo, and harmonica. By his mid-twenties he had been a member of several blues rock groups, including T&O Shortline (with the legendary Tommy Bolin of Deep Purple) and his own Otis Taylor Blues Band, and played throughout America and Europe. When a number of projected recordings contracts fell through in the mid-70s, Taylor opted to start a career in antiques. The success of his new line of work meant Taylor was unable to dedicate any time to music, and effectively retired from the entertainment business for nearly 20 years. He was persuaded to begin performing again by musical associate Kenny Passarelli, and in 1995 played his first gig since the mid-70s. His debut recording, Blue-Eyed Monster, was released in 1996. The album's stark lyrical themes and fascination with African-American history and mythology marked Taylor out as a challenging new voice on the northern blues scene. His interpretation of electric country blues grew even darker on subsequent releases When Negroes Walked The Earth (1997) and White African (2001), the latter the first of his albums to gain national distribution and the catalyst for his being named Best New Artist at the W.C. Handy Blues Awards. The lyrics to White African's "Saint Martha Blues" were informed by the real life lynching of Taylor's great-grandfather. Taylor's fascination with social injustice also dominated the follow-up Respect The Dead, with tracks such as "Ten Million Slaves" and "Black Witch" marking him out as one of modern blues most politically charged commentators. Following the release of Respect The Dead, Taylor signed a new recording contract with Telarc Records and issued 2003's Truth Is Not Fiction, which included a tremendous reading of Big Joe Williams' "Baby, Please Don't Go". His second release for the label, Double V, followed in early 2004. The album featured a number of noticeably more mellow tracks and also introduced Taylor's teenage daughter Cassie on bass and vocals. That year he picked up a prestigious DownBeat award for Truth Is Not Fiction. The 2005 release Below The Fold featured drums for the first time on a Taylor album, and included the memorable father/daughter co-write "Working For The Pullman Company". Taylor continued working with his daughter and also drafted in guest musicians Gary Moore and Charlie Musselwhite on the 2007 follow-up Definition Of A Circle, which included the Hurricane Katrina lament "They Wore Blue" and a track inspired by the plight of European Gypsies, "Black's Mandolin Boogie".

”

1. Black Betty 0:38
2. Harry, Turn The Music Up 3:18
3. Hungry For Love 6:56
4. Nobody Knows My Name 3:44
5. Sito's Banjo Rag 0:33
6. Odie's Train Time 4:51
7. Coffee Woman 4:17
8. Sito's Banjo Rag 0:33
9. Ham Bones 1:38
10. Hey Joe 7:17
11. Sleepwalking Monster 4:56
12. Crawlin' King Snake 6:18
13. Laughing At The Moonlight 2:14

Link:

http://rapidshare.com/files/231638275/otis_taylor_-_blue_eyed_monster-_1996.rar

 

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Roberta Flack - Killing Me Softly (Digitally Remastered)

Roberta Flack - Killing Me Softly (Digitally Remastered)
Soul | CD, Covers | 60 MB | MP3 Standard, 192 kbps | 5% Recovery | 2008

“

The title track was another smash for Roberta Flack, and the album continued in the same tradition as Chapter Two and A Quiet Fire. She made simmering ballads, declarative message songs, and better-than-average up-tempo numbers, and at the time was among the top-selling female vocalists in any style. ~ Ron Wynn, All Music Guide

”

Track Listing
-------------
[01]. Killing Me Softly
[02]. Jesse
[03]. No Tears (In The End)
[04]. I'm The Girl
[05]. River
[06]. Conversation Love
[07]. When You Smile
[08]. Suzanne

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